MAD #2
Berenice Abbott,
John Baldessari,
Erwin Blumenfeld,
Stéphane Couturier,
Wayne F. Miller,
Édouard Prulhière,
Jacqueline Salmon
September 30 - October 2 2016
Multiple Art Days
Love and Work, 1991
Photogravure with color aquatint
25 3/4 x 11 1/2 inches
Numbered and signed on recto by the artist
25 3/4 x 11 1/2 inches
Numbered and signed on recto by the artist
Nightview, New York, 1932
Gelatin silver print, printed later
Image: 13 3/8 x 10 3/8 inches
Print: 16 x 20 inches
Signed on pencil on recto by the artist. Label on mount verso.
From a portfolio published in April 1976 by Witkin-Berley Ltd.
Image: 13 3/8 x 10 3/8 inches
Print: 16 x 20 inches
Signed on pencil on recto by the artist. Label on mount verso.
From a portfolio published in April 1976 by Witkin-Berley Ltd.
New York Stock Exchange, 1936
Gelatin silver print, printed later
Image: 23 x 19 inches
Print: 30 x 36 inches
Frame: 31 x 38 inches
Print numbered and signed on mount recto
Print from the portfolio "Retrospective" published by Parasol Press, Ltd., 1982
Image: 23 x 19 inches
Print: 30 x 36 inches
Frame: 31 x 38 inches
Print numbered and signed on mount recto
Print from the portfolio "Retrospective" published by Parasol Press, Ltd., 1982
Sans Titre, 2012
Silk-screen Print
27,5 x 40,1 Inches
27,5 x 40,1 Inches
Sans Titre, 2012
Silk-screen Print
27,5 x 40,1 inches
27,5 x 40,1 inches
Renault Billancourt I, 1992-1993
Portfolio with eight prints, published by Ville Ouverte, 2008
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
Renault Billancourt I, 1992-1993
Portfolio with eight prints, published by Ville Ouverte, 2008
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
Stéphane Couturier, portfolio Renault Billancourt I
Renault Billancourt I, 1992-1993
Portfolio with eight prints, published by Ville Ouverte, 2008
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
Stéphane Couturier, portfolio Renault Billancourt I
Renault Billancourt I, 1992-1993
Portfolio with eight prints, published by Ville Ouverte, 2008
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
Stéphane Couturier, portfolio Renault Billancourt I
Renault Billancourt I, 1992-1993
Portfolio with eight prints, published by Ville Ouverte, 2008
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by Smith Laboratoire
Stéphane Couturier, portfolio Renault Billancourt I
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
1. Morning
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
2. Maxwell Street Blues
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
3. Young Man with a Valise
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
4. Condemned Apartment
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
5. Wagon Wheels
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
6. Dunbar vs Phillips
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
7. Through a Bedroom Window
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
8. Prescriptions
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
9. Candle House
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
10. Strike Captain
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
11. The Alley
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12. Emergency Room
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
13. Afternoon Game at Table 2
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
14. Gwendolyn Brooks
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
15. Tuesday Afternoon on Halsted Street
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
16. Mourners
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
17. "Simple"
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
18. Jazz Ensemble
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
19. Eddie Nichols Gymnasium
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
20. Lena Horne
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
21. Willard Motley
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
22. Duke Ellington
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
23. Railroad Car Maintenance Man
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
24. Neighborhood Tavern
Bronzeville, 1946-1948
Portfolio made of twenty-five prints and a book titled "Chicago's South Side 1946-48", published by Stephen Daiter
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
12 x 16 inches
Each print is signed by the artist on verso
Archival pigment prints
25. Father and Son
Mourillon, Toulon, 2015
Pigments inkjet print on Epson Velvet paper, printed by the artist, certified digigraphie
Print: 20 x 28 inches
Signed on recto by the artist
Print: 20 x 28 inches
Signed on recto by the artist
Rade, Pluie, Toulon, 2015
Pigments inkjet print on Epson Velvet paper, printed by the artist, certified digigraphie
Print: 20 x 28 inches
Signed on recto by the artist
Print: 20 x 28 inches
Signed on recto by the artist
Plage, Toulon, 2015
Pigments inkjet print on Epson Velvet paper, printed by the artist, certified digigraphie
Print: 20 x 28 inches
Signed on recto by the artist
Print: 20 x 28 inches
Signed on recto by the artist
Palmiers, Toulon, 2015
Pigments inkjet print on Epson Velvet paper, printed by the artist, certified digigraphie
Print: 20 x 28 inches
Signed on recto by the artist
Print: 20 x 28 inches
Signed on recto by the artist
Desafinado I, 2013
Lithograph by decal of photographs
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
Desafinado II, 2013
Lithograph by decal of photographs
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
Desafinado III, 2013
Lithograph by decal of photographs
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
17,7 x 12,5 inches
Signed, numbered, titled by the artist and stamped by Le Petit jaunais on verso
Lithograph printed by Le petit jaunais in Nantes, 2013
Tanji n°1, 2007
Piece of ceramic
12,5 x 17 x 5 inches
12,5 x 17 x 5 inches
Sans titre, 2014
Lithography
10,6 x 7 inches
signed on recto by the artist
10,6 x 7 inches
signed on recto by the artist
2326 Third Street, Santa Monica, 2000
Color litograph with screenprint
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
Catherine Cassidy, Vogue, New York, June 1949
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
City Lights, New York, 1946
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
Exilona Sarve, New York, Photography, Jan.1952
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
Grace Kelly, Cosmpolitan, April 1955
Vive l'Amérique !!
Portfolio of five prints, published by White Note
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
20 x 24 inches
Prints certified and numbered by the Estate Erwin Blumenfeld and signed by Henry Blumenfeld
Prints on Art photorag paper 310g Hahnemühle
Leslie Redgate, New York, 1952
