Portfolios #3
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches INV Nbr. JB1107006 Kindly.
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich. Printed by Derrière L?Etoile Studios, New York
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches INV Nbr. JB1107004 Kindly.
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches INV Nbr. JB1107003 Kindly.
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches
Lithographs from a suite of four, co-published by Brooke Alexander Gallery and Sabine Knust, Münich
Image: 27 x 27 inches
Print: 27 x 27 inches
Frame: 28 x 28 inches INV Nbr. JB1107005 Kindly.
24 x 32 inches
Prints numbered and signed by the artist
Digital prints by atelier Vimagie on Arches, Velin Museum Rag 315g, Canson paper
24 x 32 inches INV Nbr. SC1001001 Kindly.
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
11 x 14 inches INV Nbr. JS1007001 Kindly.
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
11 x 14 inches
Signed by the artist
Produced by Jacqueline Salmon and Robert F. Hammerstiel at Gilles Béréziat's Ferme des Bioux, Buellas en Bresse
Jacqueline Salmon, portfolio La racine des légumes
Presentation
Dedicating an entire show to the presentation of portfolios has from here on in become a ritual at the Douches la Galerie. It’s a visual boost that we are particularly fond of. It permits the viewing of a particularly coherent body of images from the artist’s work at a given creative moment.
The portfolio is intrinsically connected to the history of photography. Don’t look at it as competing with the artist’s original work but rather see it as simply a new vantage point, a way of looking and feeling the artist’s body of work which has been produced as rigorously and carefully as the original permitting a broader number to enter the artist’s world.
The artists that we are presenting within this exhibition - John Baldessari, Stéphane Couturier, Rodolf Hervé, Jacqueline Salmon and Robert Hammerstiel, have all voluntarily chosen to try out this new way of viewing.
They all share the same impulse to explore unaccustomed aesthetic supports; nonetheless each has his/her own particular vision.